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Shorter arcs and smaller budgets are good news for relative newcomers, too. Consider showrunners Michelle Dean and Nick Antosca (The Act), Anna Winger (Unorthodox), or Patrick Somerville (Maniac). In each case, the network or studio was willing to take a bigger artistic risk given the limited financial downside of a self-contained story. Or consider Coel’s other critically acclaimed show I May Destroy You, which over the course of 12 half-hour episodes wove a compelling narrative about sexual trauma and the complexities of consent that one reviewer accurately described as “tonally complicated“—in the best kind of way. … [Read more...] about Hollywood is redefining Peak TV—for better and for worse

As soon as the crisis hit, Ikea Social Entrepreneurship began working with social enterprises in its network and in parent company Inter Ikea group’s supply chain to help them survive. Despite facing an impact on sales itself, the company recognized that for social enterprises with smaller margins, decreased sales could force them to shut down. So along with providing emergency relief through Ikea Social Entrepreneurship, Ikea also committed to maintaining its purchases from the social enterprises in its supply chain throughout the crisis. … [Read more...] about Corporate donations shouldn’t be Band-Aids. Big bets on social enterprises will make more change

“Instead of lobbying for corporations to come build a skyscraper to bring jobs and tax dollars, a much more sustainable approach is ‘Let’s build the most livable town we can, and people will bring their own jobs,'” Murph says. “At the same time these major cities that are straining to handle the populations that they have, it will benefit them too if some of the people who don’t really want to be there move to places that are more aligned with who they are, and the people who have been displaced from these cities can actually afford to live there.” … [Read more...] about The office as we know it is over—and that’s a good thing